Tuesday, 5 June 2012
Istvan Csákány + Breuer
Marcel BREUER MEMORIAL-ROOM
Winner of BREUER IN PÉCS / BACK and FORTH - public art competition in memory of Marcel Breuer
2010, public art project (has not been realized)
The Marcel Breuer Memorial-Room is the winner of a public art competition by the city of Pécs - the European Capital of Culture in 2010 - in memory of Marcel Breuer. Breuer was born in the city of Pécs, but emigrated at a young age, lived, worked and rose to fame as a "self-made man" at the Bauhaus school and later on in the USA. The Memorial-Room manifests the lack of Breuer's presence in Hungary. It also questions whether a city or a country is entitled to grace themselves with and hog credit for a man's fame, whose life and work is more or less independent from his birthplace and erect a memorial for them. The memorial room is the 1:1 concrete replica of a container, that might as well have been imported from across the Atlantic (just like Breuer's fame). It is designed as a compact, independent and self-sufficient module with solar panels and a sewage tank. The concrete (a material favoured by Breuer) is in case of the Memorial-Room a light-transmitting concrete, a contemporary invention by a young Hungarian engineer. The solar panels mounted on top of the container make the light-transmitting concrete module glow "from the inside" when it gets dark – a strong contrast to the usual Hungarian memorials of figural national heroes illuminated by floodlights pointing at them.
http://www.csakanyistvan.hu/
Saturday, 26 May 2012
Rossella Biscotti + Cosenza
Three Performances
The work consists of three performances realized in the city of Napoli and surroundings.
The first one is set in Pozzuoli, in the area of an industrial plant designed in the 1950s by the Neapolitan architect Luigi Cosenza on behalf of the idealist entrepreneur Adriano Olivetti (1901-1960). Olivetti project was founded on the desire to ensure workers’ ideal living and working conditions. His social idea was put in place starting from the factory as a working unit, but with the intention to implement it in each part of the living condition.
In my first performance a man runs across the ground of the industrial plant that is now occupied by various companies. The performance embodies a feeling of failure of the utopian project, but at the same time expresses an individual action that breaks the rules within a compound and raises questions.
http://www.rossellabiscotti.com/ctr/site/project.php?id=40
Thursday, 10 May 2012
Saturday, 17 March 2012
Nina Fischer and Maroan el Sani + Libera
Impero dei Segni
HD, colour, stereo, 2:50 min.
"In "Impero dei segni", we worked with a group of citizens of Rome, and developed in a kind of action-training an intervention at the Palazzo dei Congressi, the former symbol of imperial Rome, build by Libera for Mussolini in 1942. We confronted the participants with the fascist EUR architecture to stage a non verbal interaction with the architectual language of the building. The intervention results in a manifesto, to get involved in the process of re-claiming and re-shaping one's own city and environment"
http://www.fischerelsani.net
Thomas Florschuetz + Le Corbusier
o.T. (Ronchamp) 01, 2005
C-Print, Diasec
183 x 151 cm
o.T. (Ronchamp) 03, 2005
C-Print, Diasec
183 x 151 c
o.T. (Ronchamp) 02, 2005
C-Print, Diasec
183 x 151 cm
Andrea Pichl “ausschießlich oder”
wieder
2012
plywood, variable dimensions
2012
plywood, variable dimensions
2009
graphite on laid paper, 33 x 33 cm / 13 x 13 in
weg
2012
sheetrock, 200 x 60 cm / 79 x 24 in
@ Krome Gallery, Berlin
Ascan Pinckernelle + Müller
Leverkusenstraße, 2009
90,5 x 160,3 cm (Laubenganghaus Heinrich Müller 1930/31 Hamburg-Bahrenfeld)
@ Galerie Gisela Capitain
Langlands and Bell, "Ivrea"
Ivrea
1991, Wood, glass, lacquer, 160 x 500 x 18cm
Ivrea is the name of the town near Turin in northern Italy where Olivetti based it's operations and provided for the needs of it's work force and their families, from 1907 until the close of it's operations at the end of the C20th.
Saturday, 10 March 2012
Candida Höfer + Lubetkin
"Zoologischer Garten London III 1992", 1992 © Candida Höfer, Köln VBK, Wien 2011; courtesy of the artist.
Candida Höfer + Schindler
"Schindler House, Los Angeles VII 2000", 2000 © Candida Höfer, Köln / VBK, Wien 2011.
"Schindler House, Los Angeles II 2000", 2000 © Candida Höfer, Köln / VBK, Wien 2011.
Werner Feiersinger + Le Corbusier
"Ohne Titel (Le Corbusier, Maison Planeix, Paris)", 2007 © Werner Feiersinger; courtesy Galerie Martin Janda, Wien
"Ohne Titel (Le Corbusier, Wand im Atelier, Paris)", 2007 © Werner Feiersinger; courtesy Galerie Martin Janda, Wien
"Ohne Titel (Le Corbusier, Appartement, Paris)", 2007 © Werner Feiersinger; courtesy Galerie Martin Janda, Wien
Thursday, 8 March 2012
Monday, 5 March 2012
Deborah Aschheim + Bradshaw
Encounter (The Theme Building So Beautiful Encased in Scaffolding), 2009
Nostalgia for the Future, 2010
http://www.deborahaschheim.com/
Nostalgia for the Future, 2010
http://www.deborahaschheim.com/
Lee Bul + Taut
After Bruno Taut (Beware the sweetness of things), 2007
Crystal, glass and acrylic beads on stainless steel armature, aluminum and copper mesh, PVC, steel and aluminum chains 258 x 200 x 250 cm.
Installation view: “On Every New Shadow” Fondation Cartier pour l’art contemporain, Paris Collection: Galerie Thaddaeus Ropac, Salzburg and Paris.
Courtesy: the artist and Fondation Cartier pour l’art contemporain, Paris Photo: Patrick Gries.
Friday, 2 March 2012
Cildo Meireles + Costa
Arte física: clareira (caixas de Brasilia), 1969
Photographs, map, two boxes.
http://brasiledesenvolvimento.wordpress.com/2011/02/09/
Photographs, map, two boxes.
http://brasiledesenvolvimento.wordpress.com/2011/02/09/
Thursday, 1 March 2012
Harry Callahan + Mies van der Rohe
Harry Callahan, Skyscrapers seen in abstraction, 860-880 Lake Shore Drive Apartments (1948-1951), ca. 1950.
Skyscrapers in Abstraction
Skyscrapers in Abstraction
Monday, 30 January 2012
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