Tuesday, 3 June 2014
Photo © Richard Barnes, 2014.
On view May 1 - November 30, 2014
Coinciding with the 65th anniversary of the Glass House and its 2014 tour season, the Glass House presents Fujiko Nakaya: Veil, the first site-specific artist project to engage the iconic Glass House itself, designed by Philip Johnson and completed in 1949.
Nakaya, a Japanese artist who has produced fog sculptures and environments internationally, will wrap the Glass House in a veil of dense mist that comes and goes. For approximately 10 to 15 minutes each hour, the Glass House will appear to vanish, only to return as the fog dissipates. Inside the structure, the sense of being outdoors will be temporarily suspended during the misty spells.
Veil will stage a potent dialogue with the Glass House, producing an opaque atmosphere to meet the building’s extreme transparency and temporal effects that complement its timelessness. According to Glass House Director Henry Urbach, “Johnson’s interest in the balance of opposites is evident throughout the Glass House campus. With Nakaya’s temporary installation, we carry this sensibility to its endpoint while allowing the unique magic of the Glass House — the dream of transparency, an architecture that vanishes — to return again and again as the fog rises and falls.”
The Glass House, situated on a promontory overlooking a valley, is subject to changing wind patterns, as well as variable temperature and humidity, that will continually influence the interchange between Veil and the building it shrouds. Fresh water, pumped at high pressure through 600 nozzles, will produce an immersive environment that reveals these dynamic conditions. According to Nakaya, “Fog responds constantly to its own surroundings, revealing and concealing the features of the environment. Fog makes visible things become invisible and invisible things — like wind — become visible.” The drama of Nakaya’s work rests in the continuous interplay between what is visible and what is not. Known coordinates vanish, only to be replaced by a miasma, rich in changing phenomenological effects, that evoke a sense of mystery, foreboding, and wonder.
This installation is part of a greater initiative to transform the Glass House campus into a center for contemporary art and ideas, in particular those that foster new interpretations of the historic site’s meanings. The exhibition will be accompanied by public programs at the Glass House and in New York City, soon to be announced.
Organized by Henry Urbach, Director and Chief Curator, and Irene Shum Allen, Curator and Collections Manager, Fujiko Nakaya: Veil is generously supported by National Endowment for the Arts, Robert Rauschenberg Foundation, The Japan Foundation, and Oldcastle BuildingEnvelope®. Additional support is provided by Mee Industries, Inc.
Sunday, 1 June 2014
Carpet: wool and banana, 400 x 300 cm
View of the exhibition “Perspectives”, Espace culturel Louis Vuitton, Paris
© Camille Henrot
Courtesy the artist and kamel mennour, Paris
This work is a carpet with patterns of Navajo appearance, containing the silhouettes of iconic monuments of modernist and contemporary architecture (Villa Savoye, Empire State Building, tours Petronas, Grande Arche de La Défense). The carpet, for Le Corbusier, is the most elementary form of architecture - the basis of nomadic settlement and a primordial form of mobile architecture.